Asif Khan

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  1. Dance Square

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  2. Xiringuito Margate

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    The Dreamlands funfair “boneyard” in the English seaside town of Margate was the location of the first Xiringuito in Summer 2016.

    Xiringuito is a moveable restaurant for Conor Sheehan and Jackson Berg that can be packed up and moved onto new town each season. The design needed to be easily put up, using a minimal amount of material. We used repeated tent-like triangular shapes that could be connected and run out in a curve, a circle or a straight line.

    Part of what makes this restaurant special is that it appears where you least expect it to be. As the context changes, it too changes to suit it.

    We realised if we made the whole restaurant with scaffolding we could use the local scaffolder in whichever town it went to, borrowing from their inventory, and then returning the structure after use. This enables the client to capture and invest in local know-how and is the the same concept for the supporting restaurant staff.  In a way, it belongs to each place it visits.

  3. Museum of London

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    Stanton Williams and Asif Khan to design new Museum of London at West Smithfield

    Stanton Williams and Asif Khan announced as the winner of the international competition to find an architect to design the new Museum of London
    • Winner chosen on basis of innovative thinking, sensitivity to the heritage of existing market buildings and understanding of practicalities of creating a great museum experience
    • Stanton Williams and Asif Khan now to work with the museum and stakeholders to develop proposals for the site at West Smithfield
    • A planning application will follow in 2018

    Stanton Williams and Asif Khan working together with conservation architect Julian Harrap and landscape design consultants J&L Gibbons have today been announced as the winners of the Museum of London’s international competition for the new museum at West Smithfield.

    An outstanding example of London creativity, Stanton Williams and Asif Khan were selected from an inspiring shortlist of six architectural teams by a panel of well-known figures from the world of the arts, media, property, architecture and business, chaired by broadcaster and economist, Evan Davis. The decision brings to a close a six-month long competition funded by the Greater London Authority (GLA), which attracted over 70 entries, and was managed by Malcolm Reading Consultants.

    The vision for the new Museum of London balances a crisp and contemporary design with a strong recognition of the physicality and power of the existing spaces of the West Smithfield site.

    Their early stage concept includes:
    • A new lifted landmark dome which would create a beautiful light-filled entrance to the museum;
    • Innovative spiral escalators transporting visitors down to the exhibition galleries in a vast excavated underground chamber;
    • Flexible spaces that can serve as a new meeting place for London and a centre for events and debate;
    • A new sunken garden and green spaces to provide pockets of tranquillity.
    There was firm consensus amongst the jury that Stanton Williams and Asif Khan presented a concept that had a strong sense of cohesion which honoured the original market buildings as well as having a passion for the project.

    The winning architects will now work closely with the team at the museum and the museum’s stakeholders including the GLA, City of London Corporation and the local Smithfield community to develop their initial concepts into a fully-formed vision for the new museum at West Smithfield.

    Evan Davis, Chair of the Jury, said of the decision:
    “The jury knew it would be a difficult choice and that’s what it turned out to be. We had six fantastic teams on the shortlist; each had ideas for the site that were both ambitious and interesting. I would never have guessed that you could take wonderful old buildings like that and turn them into a new museum in so many completely different ways.
    But after a lot of discussion, a clear winner emerged. Stanton Williams and Asif Khan offered some really innovative thinking, and managed to combine a sensitivity to the heritage of the location, with a keen awareness of the practicalities of delivering a really functional museum.”

    Sharon Ament, Director of the Museum of London, said:
    “Now we have Stanton Williams and Asif Khan on board the hard work begins, and I cannot wait to get started. Over the coming months we will work together to design a new museum for London and Londoners which will be one of the top visitor attractions in the capital. Our project sparked the imagination of truly remarkable architects whose hard work and talent produced astounding submissions. I am grateful to them all. The Stanton Williams and Asif Khan partnership is a scintillating combination.”
    Mark Boleat, Chairman of the Policy and Resources Committee at the City of London Corporation, said:
    “The City of London Corporation is proud to be a major funder and supporter of the Museum of London. We are looking forward to working with the museum as it launches this project to move to a new site in West Smithfield. We hope these ambitious plans will secure the museum’s long-term future, build on its reputation as an outstanding storyteller of the capital’s rich history, and contribute to the evolving Cultural Hub in the City.”

    Paul Williams, Director of Stanton Williams, said:
    “We are immensely excited about being given the opportunity to work with the Museum of London on this wonderfully challenging project – participating in an endeavour that will transform an area of London that has such a rich history, but sadly has been in decline for many years.
    Encountering the historic market spaces for the first time in early April this year, we were ‘blown away’ by the power and physicality already existing, and knew then, that whatever scheme we developed, this physicality needed to be harnessed, and not lost, and that initial observation has inspired our initial design proposals. This project will engage a broad community well beyond London.”

    Asif Khan said:
    “To have a chance to create a new museum for London, in London, about London, at this moment in time is incredibly exciting for us. We all know the power of public spaces in changing our city and our individual lives, and this is what drives us. We want the Museum of London to be a museum where everyone belongs, and where the future of London is created.”

    The museum intends to submit a planning application for the West Smithfield site to the City of London Corporation in 2018 and to deliver the new museum by 2022.
    The public exhibition displaying the shortlisted design concepts for the new museum at West Smithfield will remain on display until 11 September 2016. Full details are available on the museum’s website www.museumoflondon.org.uk.

    Sharon Ament and Paul Williams will be giving a free, public talk about the project with New London Architecture at the Building Centre on 12 August 2016. Tickets are available from www.newlondonarchitecture.org/.

     

  4. Olympicopolis

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    Asif Khan is part of one of the six shortlisted teams in the Olympicopolis design competition to create a new culture, education and residential quarter at the Queen Elizabeth Olympic Park. Its aim is to showcase London at its cultural best, bringing together outstanding organizations, such as Victorian and Albert Museum, Smithsonian, Sadler’s Wells and University of the Arts London. The design and civic qualities of the Quarter will shape both local and international perceptions of the Park and capture the transforming identity of east London.

    The full team is AECOM with Stanton Williams, Alison Brooks Architects, AKT II, Asif Khan, Carmody Groarke, Charcoalblue, Haworth Tompkins and Vogt Landscape Architects.

  5. Liverpool Marathon

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    We were asked to develop a new marathon route for Liverpool.

    Our approach was to utilise the marathon to connect the constituent faces of the city, particularly those beyond the limits of the city centre. We believe a marathon can showcase and reinvigorate areas of a city that are key parts of its story, but don’t appear on its postcards.

    The project is conceived as a catalyst for urban regeneration and togetherness within the wider community. In this way we see it as a soft tool for urban design.